| Art in the Americas: Theories and Historiographies |
Patricia Leal Azevedo Corrêa
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| As linguagens da Imagem no Mundo Contemporâneo |
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| Between Brazil and Europe: the brazilian artists of the second half of the nineteenth century and the early twentieth century |
Ana Cavalcanti
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| Cafe Valley Festival of Rio de Janeiro: The Courtship of Traditions and dialogues between party and urban spectacle. |
Helenise Guimarães
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| Countdown to 200, starting in reverse: Graduated artists at Escola de Belas Artes from 1975 to the present |
Ivair Reinaldim
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| Curatorial Studies: current and historical perspectives |
Ivair Reinaldim
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| Hibridações Experimentais em Arte e Tecnologia |
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| Image, object and place: transicence and collections in Rio de Janeiro’s museums |
Marize Malta
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| Lygia Pape and image building in art. The transversality between filmography and books. |
Maria Clara Amado
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| Lygia Pape. Neoconcretism and contemporary : transgressions and permanence |
Maria Clara Amado
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| Modernity revisited in arts, in architecture and urban design in Brazil |
Maria Clara Amado
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| Neo-Concretism and Minimalism: Comparative Studies |
Patricia Leal Azevedo Corrêa
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| Objects of adversity: a look into the brazilian material culture |
Marcus Dohmann
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| Poetry and informalism topics in printmaking: São Paulo/Rio de Janeiro – 1950s/1960s. |
Maria Luisa Tavora
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| Production, circulation and reception of art between Brazil and Europe (19th and 20th centuries) |
Ana Cavalcanti
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| The act of looking. The landscape painting collection in the School of Fine Arts’ D. João VI Museum archive at the National Museum of Fine Art |
Carlos Terra
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| The artistic teaching at the Imperial Academy of Fine Arts and the National School of Fine Arts of Rio de Janeiro |
Sonia Gomes Pereira
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| The material experience: the culture of objects |
Marcus Dohmann
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| The presence of kiosks and similar structures in Brazillian cities in the 19th and 20th centuries |
Carlos Terra
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| The representation and art of constructing landscapes: theories, concepts, models, artists and material culture |
Carlos Terra
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